“We told them you can do whatever you want to find out.” Most of the twins proceeded to yell and scream at the actress in an overblown theatrical manner.
“We tied the actors to a chair and told the children, ‘Okay, now this woman has kidnapped your mother, and you have to find out where your mother is,'” said Franz. The same phenomenon repeated with “Rock, Paper, Scissors.” “We actually also tried this in the movie, but we cut it out because the twins would always pick the same thing.”įinally, the directors settled on a different audition tactic. “They each knew what the other was referring to immediately,” said Franz. The directors asked each pair of twins to play a game of “I Spy” in front of the camera, but the game proved a moot point because the twins could read one another so well. It was a surreal experience in the end, they had “quite a scary collection of twins sitting there,” said Franz. They called hundreds of pairs of twins into their casting office. And how better to tell a story about identity than with a pair of identical twins? “It was quite easy to call schools and ask the principal if there were twins at the school, because every principal knew about them if there were,” said Franz. Franz added: “There was even one moment when a girl grabbed her father’s arm and said, ‘This is not our mother.'”įor Franz and Fialia, this moment was the seed of the story. “If you look closely at the children, their eyes are horrified,” said Fiala. When the family is reunited, what is positioned to be a magical, music-swelling red carpet moment is subverted by unmistakable horror. “Moms are separated from the children for a month or two and they get a new mouth, new teeth, new cheekbones, new haircut, and new clothes,” explained Fiala. One day, Franz and Fiala were watching a reality television show featuring women who volunteer to undergo plastic surgery. She’s showing her true side and the monster is coming out.” That feeling of breached trust and dissociative identity never left Franz. “I thought: This is a monster now she’s not my mom. “My mother was covered with a blanket and acting really scary,” Franz remembers. But the scariest moment occurred while playing a game of hide-and-seek with her mother. As a child, she would falter upon seeing her grandfather with a newly shaven face. Lots of children think: Am I adopted? Can these really be my parents?” Franz herself remembers experiencing this disorienting feeling. “It’s like coming of age, confronting who you are and who your parents are. “Lots of children and teenagers experience a moment where they doubt that their parents are really their parents,” added Franz, co-director and Fiala’s aunt. “They feel like, ‘If that’s my mom, then she always has to look and be like this,’ but in every one of us there are so many different possible personalities, and they change all the time.” “That’s how children can feel,” said Fiala. With “Goodnight Mommy,” co-directing team Severin Fiala and Veronika Franz have tapped into one of the deepest fears in human relationships: that the person you know and love today may not be the same person tomorrow. An atmospheric, tension-laden psychological thriller becomes a brutal horror film that challenges bonafide fans of the genre. The familiar transmogrifies into the gaping unknown.
What begins as an uncanny undercurrent escalates into a twisted dissection of identity, a cat-and-mouse game that finds all parties fearing for their lives.
#WHERE TO WATCH GOODNIGHT MOMMY SERIES#
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Instead, she imbues the entire house with an aura of coldness. She’s no longer the engaging, warm maternal figure the boys know and love. Her face is obscured with a haunting bandage, and her personality seems to have changed for the worse.
But the mother who returns to their isolated countryside home is not the same as the mother who left in the first place. The expertly crafted Austrian horror film - originally titled “Ich seh, Ich seh,” which translates to “I See, I See,” a German children’s game - stars a pair of identical twin brothers (Lukas and Elias Schwartz) whose mother (Susanne Wuest) has just undergone facial reconstructive surgery. To watch “ Goodnight Mommy” is to experience this very nightmare.
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